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Praetorius: Two Christmas Pieces – Woodwind Quintet
Es ist ein Ros’ Entsprungen and Gespräch der Hirten zu Bethlehem (Colloquy of the Shepherds) are two pieces by Michael Praetorius, one well known and the other, less so. The original test of Gespräch, a retelling of Luke 2:15, juxtaposes the earthly and the divine using both German and Latin.
Composer: Mark Questad
Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
Duration/# of Pages: ca. 1:55 / 9 pages, 8.5″ x 11″
Key: Ab-Eb -
Rejoice With Me – Flute choir
This beautiful Renaissance motet has been carefully arranged for flute choir. It was first published in 1572, written by Tomas Luis Victoria, the most famous composer in 16th century Spain and one of the greatest, ranking with Palestrina and Orlando di Lasso.
The simple lines, homophonic textures, rhythmic variety, repeated notes for emphasis, and tonal contrasts foreshadow the major-minor concept characteristic of the Baroque era.
This motet would be lovely for an offertory or other solemn event. It could also be played any time of the year since it is not a familiar carol.
Composer: Bill Reichenbach
Instrumentation: 6 C Flutes, Alto Flute & Bass Flute
Duration/# of Pages: ca. 4:30 / 24 pages, 8.5″ x 11″
Key: N/A -
Rejoice With Me – Trombone Choir
This beautiful Renaissance motet has been carefully arranged for trombone choir. It was first published in 1572, written by Tomas Luis Victoria, the most famous composer in 16th century Spain and one of the greatest, ranking with Palestrina and Orlando di Lasso.
The simple lines, homophonic textures, rhythmic variety, repeated notes for emphasis, and tonal contrasts foreshadow the major-minor concept characteristic of the Baroque era.
The arranger, Bill Reichenbach, is using this piece for the offertory at his annual Christmas concert. This motet could also be played any time of the year since it is not a familiar carol.
Composer: Bill Reichenbach
Instrumentation: 6 Tenor Trombones & 2 Bass Trombones
Duration/# of Pages: ca. 5:00 / 24 pages, 8.5″ x 11″
Key: N/A -
Russian Dance: Trépak – Woodwind Quintet
The Suite of movements extracted by Tchaikovsky from his ballet music for The Nutcracker was an immediate success. As prevalent as the complete ballet The Nutcracker is today, it is hard to imagine that it took years, and perhaps the staging of George Balanchine, for it to become popular.
Some of the most memorable pieces from the suite are the Characteristic Dances. In Act II of the ballet, these movements are employed to introduce different residents of the “Land of Sweets.” Tchaikovsky’s orchestration makes adept use of wind instrument color. This translates very effectively in arrangements for the woodwind quintet.
The Russian Dance: Trépak ( Danse russe) is an energetic piece for all the instruments. It introduces Candy Canes in the Land of Sweets, building in excitement and speeding to the end.
Composer: Mark Questad
Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
Duration/# of Pages: ca. 1:15 / 12 pages, 8.5″ x 11″
Key: G