• Americana – Brass Quintet

    Two of America’s favorite patriotic songs, America (My Country ’Tis of Thee) and America the Beautiful, are the foundation for this arrangement. With a brief, open fifth fanfare as an introduction, the songs are presented in a straightforward manner, with moving eighth note lines adding color and texture.

    Both songs are safely in Eb, easy to play with minimal rehearsal, and suitable for any patriotic celebration.

    Composer: Anne McGinty
    Instrumentation: 2 Bb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 2:20 / 10 pages, 8.5″ x 11″
    Key: Eb

    Score & Parts $21.00
  • Antiphon – Brass Quintet

    Anton Bruckner (1824 – 1896) was an Austrian composer known for his monumental symphonies, masses and motets. He was a simple man with an intense devotion to the spiritual life.

    This motet was written in 1878 and scored for solo tenor, choir and organ. The complete title is Antiphon – Tota pulchra es Maria. It’s not known when he re-scored it for SATB. Both versions feature a dialog between a soloist and the full quintet. His use of sudden contrasts of timbre and dynamics as well as some unexpected harmonic choices make this piece a welcome addition to the repertoire.

    Composer: Anne McGinty
    Instrumentation: 2 Bb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 4:50 / 11 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $21.00
  • Ave Verum Corpus (Byrd) – Brass Quartet

    Ave verum corpus (Hail, true body) is based on a 14th century poem. This musical setting by William Byrd (1543 – 1623) is considered one of his finest works. A student of Thomas Tallis, William Byrd was the leading English composer of his time, a great master of the Renaissance along with Giovanni Palestrina and Orlando de Lassus, and left a huge legacy of printed music.

    The false relation, the E natural in the trumpet and the E flat in the tuba in measure 2 was Byrd's way of emphasizing the word verum.

    Excerpt graciously provided by members of the Tower Brass Quintet.

    Composer: Anne McGinty
    Instrumentation: Trumpet, Horn, Trombone & Tuba
    Duration/# of Pages: ca. 3:30 / 7 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $15.00
  • Ave Verum Corpus (Byrd) – Flute Choir

    Ave verum corpus (Hail, true body) is based on a 14th century poem. This musical setting by William Byrd (1543 – 1623) is considered one of his finest works. A student of Thomas Tallis, William Byrd was the leading English composer of his time, a great master of the Renaissance along with Giovanni Palestrina and Orlando de Lassus, and left a huge legacy of printed music.

    The false relation, the G sharp in the 1st and 2nd flutes and the G natural in the alto and bass flutes  in measure 2 was Byrd's way of emphasizing the word verum.

    Composer: Anne McGinty
    Instrumentation: 4 C Flutes, Alto Flute & Bass Flute
    Duration/# of Pages: ca. 3:20 / 12 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $15.00
  • Bach: Little Fugue in G Minor – Flute Choir

    The well known Little Fugue in G Minor is now scored for the full flute orchestra: Piccolo, four C Flutes, Alto Flute in an appropriate range and adding depth to Flute 4, with Bass Flute and Contrabass Flute on the original organ peddle. A welcome addition to the flute choir repertoire!

    Composer: Anne McGinty
    Instrumentation: Piccolo, 4 C Flutes, Alto Flute, Bass & Contrabass Flutes
    Duration/# of Pages: ca. 3:30 / 25 pages, 8.5″ x 11″
    Key: G Minor

    Score & Parts $21.00
  • Changes – Brass Sextet

    M.F.K. Fisher, in her book The Gastronomical Me, wrote poignant stories of her life and career based on memorable meals and her experiences with food. When asked by Julia Child why she chose food and hunger for these stories, Mrs. Fisher replied, “When I write about hunger, I am really writing about love and the hunger for it, and warmth, and the richness and fine reality of a hunger satisfied.”

    Changes tries to capture that warmth and richness and reality musically. The titles of the three movements are chapter titles from this book, with the music reflecting the many changes that are an inevitable part of living.

    The first two movements are both slow and reflective. In the first movement each instrument has something to say and shares it with the others, with the resulting interchanges both bitter and sweet. The second movement, dreamlike as suggested by the title, recalls big dreams as well as little dreams—success, frustration and finally satisfaction. The final movement is playful and at times humorous, with a flurry of notes and amusing syncopations, a drastic change from the first two movements. The ending, with tongue in cheek and consideration of the meter used, is indeed a feminine ending in the classical sense as it does end on the second beat.

    The sample score shows the first page of each of the three movements. At this time there is no recording available.

    Composer: Anne McGinty
    Instrumentation: Trumpet, 2 Horns, 2 Trombones & Tuba
    Duration/# of Pages: ca. 9:30 / 44 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $35.00
  • Changes – Flute Choir

    M.F.K. Fisher, in her book The Gastronomical Me, wrote poignant stories of her life and career based on memorable meals and her experiences with food. When asked by Julia Child why she chose food and hunger for these stories, Mrs. Fisher replied, “When I write about hunger, I am really writing about love and the hunger for it, and warmth, and the richness and fine reality of a hunger satisfied.”

    Changes tries to capture that warmth and richness and reality musically. The titles of the three movements are chapter titles from this book, with the music reflecting the many changes that are an inevitable part of living.

    The first two movements are both slow and reflective. In the first movement each instrument has something to say and shares it with the others, with the resulting interchanges both bitter and sweet. The second movement, dreamlike as suggested by the title, recalls big dreams as well as little dreams—success, frustration and finally satisfaction. The final movement is playful and at times humorous, with a flurry of notes and amusing syncopations, a drastic change from the first two movements. The ending, with tongue in cheek and consideration of the meter used, is indeed a feminine ending in the classical sense as it does end on the second beat.

    The sample score shows the first page of each of the three movements. At this time there is no recording available.

    Composer: Anne McGinty
    Instrumentation: Piccolo, 4 C Flutes, Alto Flute & Bass Flute
    Duration/# of Pages: ca. 9:30 / 48 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $25.00
  • Chief and Frank – Trombone Choir

    Scored for five trombones, bass trombone and two trombone soloists, this piece is featured on the album “Bill Reichenbach Quartet, Special Edition.” This 16-track, overdubbed trombone chorale is a showcase for Bill’s varied musical skills and was inspired by two men: Chief is Emory Remington, Bill’s legit trombone teacher at Eastman, and Frank is the late Frank Rosolino, the man Bill considers his “greatest jazz influence.”

    More than two soloists can be used is performance. If only one soloist is available, there is an optional part that combines the solo lines.

    Composer: Bill Reichenbach
    Instrumentation: 5 Trombones, Bass Trombone, 2 Trombone soloists (optional part for 1 soloist)
    Duration/# of Pages: ca. 1:37 / 17 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $25.00
  • Chorale: Jesu, meine Freude – Brass Quintet

    With a chorale melody by Johann Crüger and harmonization by Johann Sebastian Bach, this arrangement is a welcome addition to concert programs and church services alike.

    Composer: Mark Questad
    Instrumentation: 2 Bb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 2:00 / 9 pages, 8.5″ x 11″
    Key: Dm

    Score & Parts $21.00
  • Die himmel erzählen die Ehre Gottes (Schütz) – Brass Quintet

    Heinrich Schütz (1585 – 1672) was a Renaissance composer and is generally considered the most important German composer prior to Johann Sebastian Bach. His compositions show the influence of his teacher, Gabrieli.

    One of the last composers to write in modal style, the text for this piece is from Psalm 19. The title translates to: The heavens are telling the glory of God.

    Originally written for six voices, the piece is ideal for brass quintet and will sound glorious in a church or recital setting.

    Thanks to the Vista Brass Quintet for sending a recording of this piece.

    The Vista Brass Quintet features Emily Lawyer and Tim Winfield – trumpet, Anne Marie Cherry – horn, Charles Lilly – trombone and Todd Eames – bass trombone.

    Composer: Anne McGinty
    Instrumentation: 2 Trumpets, Horn, Trombone & Tuba
    Duration/# of Pages: ca. 3:45 / 23 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $21.00