• Americana – Brass Quintet

    Two of America’s favorite patriotic songs, America (My Country ’Tis of Thee) and America the Beautiful, are the foundation for this arrangement. With a brief, open fifth fanfare as an introduction, the songs are presented in a straightforward manner, with moving eighth note lines adding color and texture.

    Both songs are safely in Eb, easy to play with minimal rehearsal, and suitable for any patriotic celebration.

    Composer: Anne McGinty
    Instrumentation: 2 Bb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 2:20 / 10 pages, 8.5″ x 11″
    Key: Eb

    Score & Parts $21.00
  • Antiphon – Brass Quintet

    Anton Bruckner (1824 – 1896) was an Austrian composer known for his monumental symphonies, masses and motets. He was a simple man with an intense devotion to the spiritual life.

    This motet was written in 1878 and scored for solo tenor, choir and organ. The complete title is Antiphon – Tota pulchra es Maria. It’s not known when he re-scored it for SATB. Both versions feature a dialog between a soloist and the full quintet. His use of sudden contrasts of timbre and dynamics as well as some unexpected harmonic choices make this piece a welcome addition to the repertoire.

    Composer: Anne McGinty
    Instrumentation: 2 Bb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 4:50 / 11 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $21.00
  • Chorale: Jesu, meine Freude – Brass Quintet

    With a chorale melody by Johann Crüger and harmonization by Johann Sebastian Bach, this arrangement is a welcome addition to concert programs and church services alike.

    Composer: Mark Questad
    Instrumentation: 2 Bb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 2:00 / 9 pages, 8.5″ x 11″
    Key: Dm

    Score & Parts $21.00
  • Die himmel erzählen die Ehre Gottes (Schütz) – Brass Quintet

    Heinrich Schütz (1585 – 1672) was a Renaissance composer and is generally considered the most important German composer prior to Johann Sebastian Bach. His compositions show the influence of his teacher, Gabrieli.

    One of the last composers to write in modal style, the text for this piece is from Psalm 19. The title translates to: The heavens are telling the glory of God.

    Originally written for six voices, the piece is ideal for brass quintet and will sound glorious in a church or recital setting.

    Thanks to the Vista Brass Quintet for sending a recording of this piece.

    The Vista Brass Quintet features Emily Lawyer and Tim Winfield – trumpet, Anne Marie Cherry – horn, Charles Lilly – trombone and Todd Eames – bass trombone.

    Composer: Anne McGinty
    Instrumentation: 2 Trumpets, Horn, Trombone & Tuba
    Duration/# of Pages: ca. 3:45 / 23 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $21.00
  • Drive-thru – Brass Quintet

    Hungry? This is an impatient trip through traffic on the way to the drive-thru. There are blaring horns, near collisions, a dump truck backing up (so obnoxious and so irritating), and finally there you are, waiting in line. The 1st trumpet asks “may I take your order” and finally the tuba gets to order a cheeseburger, fries and a chocolate milkshake. The order is, of course, repeated over the speaker, accomplished by trombone with a harmon. More waiting, more impatience, more car horns, and finally you are satisfied. Aaah

    This piece will be a great hit with your audience. And there are absolutely no calories!

    The mp3 excerpt is from the Tower Brass Quintet CD, Road Trip. (Used with permission.)

    Composer: Anne McGinty
    Instrumentation: 2 Trumpets, Horn, Trombone & Tuba
    Duration/# of Pages: ca. 3:25 / 21 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $21.00
  • Ein feste Burg ist unser Gott – Brass Quintet

    This piece by Johann Gottfried Walther sets the horn, trombone and tuba in energetic counterpoint while the trumpets proclaim the chorale melody overtop.

    The mp3 excerpt is performed by the Sine Nomine Brass Quintet. (Used with permission.)

    Composer: Mark Questad
    Instrumentation: 2 Bb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 3:00 / 9 pages, 8.5″ x 11″
    Key: C

    Score & Parts $21.00
    MP3 * Performed by the Sine Nomine Brass Quintet $0.99
  • Equinox – Large Brass Ensemble

    Equal day, equal night, represented by double brass quintet, conical vs. cylindrical. Seating should be in an inverted V, with tuba on the outside left. Going up the left side, next to tuba is horn 3, then horn 2, horn 1 and cornet at the top of the inverted V. Coming down the right side is trumpet 1 at the top, trumpet 2, trombone 1, trombone 2 and bass trombone, facing tuba.

    Brilliantly crafted to maximize the different timbres, the wide ranges and varying instrumental combinations, this is an impressive achievement accomplished with great skill and a welcome addition to the brass repertoire.

    The sample score and mp3 excerpt include all three movements.

    Total duration: ca. 11:15

    I – Autumn (3:47)

    II – In-between (3:45)

    III – Spring (3:40)

    Performers:

    David Wailes – Cornet
    Andrew Pelletier – Horn
    Jenny Kim – Horn
    Bruce Hudson – Horn
    Doug Tornquist – Tuba
    Marissa Benedict – Trumpet
    Larry Hall – Trumpet
    Alex Iles – Trombone
    Philip Keen – Trombone
    Bill Reichenbach – Bass Trombone

    Composer: Anne McGinty
    Instrumentation: Bb Cornet, 3 F Horns, Tuba, 2 Bb Trumpets, 2 Trombones & Bass Trombone
    Duration/# of Pages: ca. 11:15 / 54 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $40.00
    MP3 $0.99
    MP3 $0.99
    MP3 $0.99
  • Fugue in E-Flat Major (J.S. Bach) – Brass Quintet

    “The triple fugue … is a symbol of the Trinity. The same theme recurs in three connected fugues, but each time with another personality. The first fugue is calm and majestic, with an absolutely uniform movement throughout; in the second the theme seems to be disguised, and is only occasionally recognisable in its true shape, as if to suggest the divine assumption of an earthly form; in the third, it is transformed into rushing semiquavers as if the Pentacostal wind were coming roaring from heaven.” ~ Albert Schweitzer

    The Fugue in E-Flat Major (BWV 552) has become known in English-speaking countries as the “St. Anne” because of the first theme's resemblance to the St. Anne hymn O God, Our Help in Ages Past, a hymn that would have been unknown to Bach. A fugue in three sections of 36 bars, 45 bars and 36 bars, with each section a separate fugue on a different theme, it has been called a triple fugue, although only the first theme is combined with the second and third themes; for that reason the second and third sections are sometimes referred to as double fugues. The number three is pervasive and has been understood to represent the Trinity. The description of Albert Schweitzer follows the nineteenth century tradition of associating the three sections with the three different parts of the Trinity. The number three, however, occurs many other times: in the number of flats of the key signature; in the number of sections; and in the number of bars in each section, each a multiple of 3 x 3. Each of the three themes of the fugues seems to grow from the previous ones.

    Written for organ, the ranges of each of the five fugal voices works well for the five brass instruments. Articulations and minimal dynamic suggestions have been added to honor the music, to make it sound as it would have sounded if the fugue were conceived for these modern instruments. The tuba can play m. 114 to the end down an octave to sound more like an organ pedal.

    This fugue is available for brass ensemble as well as brass quintet There are Eb trumpet parts included with the brass quintet version. The brass ensemble version has the traditional brass quintet parts, Eb trumpet parts, Eb horn, Euphonium TC and Eb tuba.

    The mp3 excerpt is from the Tower Brass Quintet CD, Road Trip. (Used with permission.)

    Composer: Anne McGinty
    Instrumentation: 2 Bb and/or Eb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 5:30 / 28 pages, 8.5″ x 11″
    Key: Eb

    Score & Parts $21.00
  • Fugue in E-Flat Major (J.S. Bach) – Large Brass Ensemble

    “The triple fugue … is a symbol of the Trinity. The same theme recurs in three connected fugues, but each time with another personality. The first fugue is calm and majestic, with an absolutely uniform movement throughout; in the second the theme seems to be disguised, and is only occasionally recognisable in its true shape, as if to suggest the divine assumption of an earthly form; in the third, it is transformed into rushing semiquavers as if the Pentacostal wind were coming roaring from heaven.” ~ Albert Schweitzer

    The Fugue in E-Flat Major (BWV 552) has become known in English-speaking countries as the “St. Anne” because of the first theme's resemblance to the St. Anne hymn O God, Our Help in Ages Past, a hymn that would have been unknown to Bach. A fugue in three sections of 36 bars, 45 bars and 36 bars, with each section a separate fugue on a different theme, it has been called a triple fugue, although only the first theme is combined with the second and third themes; for that reason the second and third sections are sometimes referred to as double fugues. The number three is pervasive and has been understood to represent the Trinity. The description of Albert Schweitzer follows the nineteenth century tradition of associating the three sections with the three different parts of the Trinity. The number three, however, occurs many other times: in the number of flats of the key signature; in the number of sections; and in the number of bars in each section, each a multiple of 3 x 3. Each of the three themes of the fugues seems to grow from the previous ones.

    Written for organ, the ranges of each of the five fugal voices works well for the five brass instruments. Articulations and minimal dynamic suggestions have been added to honor the music, to make it sound as it would have sounded if the fugue were conceived for these modern instruments.

    This fugue is available for brass quintet as well as brass ensemble. There are Eb trumpet parts included with the brass quintet version. The brass ensemble version has the traditional brass quintet parts, Eb trumpet parts, Eb horn, Euphonium TC and Eb tuba.

    Composer: Anne McGinty
    Instrumentation: 2 Bb and/or Eb Trumpets, F and/or EbHorn, Trombone and/or Euphonium & Tuba
    Duration/# of Pages: ca. 5:30 / 38 pages, 8.5″ x 11″
    Key: Eb

    Score & Parts $25.00
  • Jesu, Joy of Man’s Desiring – Brass Quintet

    The chorale movement from Cantata BWV 147, Herz und Mund und Tat und Leben is arguably one of the most recognizable compositions by Johann Sebastian Bach. In this arrangement, the trumpets share the famous obbligato while the others provide the orchestra and the chorale.

    Composer: Mark Questad
    Instrumentation: 2 Bb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 2:30 / 19 pages, 8.5″ x 11″
    Key: F

    Score & Parts $21.00