-
I Love, Alas – Flute Choir
George Kirbye (c. 1565 – 1634) was an English composer of the late Tudor period and early Jacobean era. He was one of the members of the English Madrigal School, but also composed sacred music.
Little is known of the details of his life. He probably made the acquaintance of John Wilbye, a much more famous madrigalist, who lived and worked only a few miles away, and whose style he sometimes approaches.
Kirbye's most significant musical contributions were the psalm settings he wrote for East's psalter in 1592, the madrigals he wrote for the Triumphs of Oriana (1601), the famous collection dedicated to Elizabeth I, and an independent set of madrigals published in 1597. This piece, one of six madrigals for six voices, shows careful attention to the text setting.
The lyrics are:
I love, alas, yet am I not beloved;
My suits are all rejected,
And all my looks suspected.
Experience now too late hath proved,
That 'twas in vain that erst I loved.
This madrigal is written in an imitative style and as the different voices enter, the accompanying voices should get somewhat softer so all entrances can be easily heard. This is notated using dynamics and decrescendos at the beginning of the piece; however, the concept applies to all imitative entrances. The ranges are not extreme and this would be a good choice for young players as well as the experienced flute choir.
There is no recording available at this time.
Composer: Anne McGinty
Instrumentation: 5 C Flutes & Alto Flute
Duration/# of Pages: ca. 2:00 / 15 pages, 8.5″ x 11″
Key: N/A -
Il est né, le devin Enfant – Woodwind Quintet
Il est né, le devin Enfant, a French Christmas carol, occupies an unusual position between the secular and the sacred. Suitably, this instrumental version can find a place on different types of programs. A joyous carol, the text of the chorus tells us to celebrate by playing oboes and sounding bagpipes.
Composer: Mark Questad
Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
Duration/# of Pages: ca. 2:30 / 14 pages, 8.5″ x 11″
Key: C-Db -
Illusions – Flute Choir
Illusions make us think we are seeing something we’re not, a deception, which is quite magical; and this piece is based on magic.
The first movement, Wild Card, depicts the journey to find one’s own way in life. The individual parts go this way and that, sometimes at peace with decisions made and sometimes filled with the unease that comes with fear of the unknown.
A wizard can be someone clever and skilled, as a computer wizard, and can also be synonymous for obsessions, including bewitchment and enchantment. Wizardz, the second movement, gives every instrument its own voice within the ensemble, sometimes clever and skilled, sometimes filled with enchantment and motivation with a little sorcery for good measure. Juggling, the third movement, sonically juggles the sound back and forth, up and down among the players, trying to keep all the balls in the air at the same time.
The sample score shows the first page of each of the three movements. At this time there is no recording available.
Composer: Anne McGinty
Instrumentation: Piccolo, 4 C Flutes, Alto Flute & Bass Flute
Duration/# of Pages: ca. 10:15 / 74 pages, 8.5″ x 11″
Key: N/A -
Illusions – Mixed Quintet
Illusions make us think we are seeing something we’re not, a deception, which is quite magical; and this piece is based on magic.
The first movement, Wild Card, depicts the journey to find one’s own way in life. The individual parts go this way and that, sometimes at peace with decisions made and sometimes filled with the unease that comes with fear of the unknown.
A wizard can be someone clever and skilled, as a computer wizard, and can also be synonymous for obsessions, including bewitchment and enchantment. Wizardz, the second movement, gives every instrument its own voice within the ensemble, sometimes clever and skilled, sometimes filled with enchantment and motivation with a little sorcery for good measure. Juggling, the third movement, sonically juggles the sound back and forth, up and down among the players, trying to keep all the balls in the air at the same time.
The sample score shows the first page of each of the three movements. At this time there is no recording available.
Composer: Anne McGinty
Instrumentation: Flute, Clarinet, Alto Saxophone, Bass Clarinet & Tuba
Duration/# of Pages: ca. 10:15 / 62 pages, 8.5″ x 11″
Key: N/A
