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Coventry Carol – Woodwind Quintet
This carol was part of the mystery pageant plays in Coventry England appearing as early as the 16th century. This arrangement employs the Baroque form of continuous variations over a repeating bass line (or ground).
Composer: Mark Questad
Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
Duration/# of Pages: ca. 4:10 / 21 pages, 8.5″ x 11″
Key: Dm -
Dance of the Mirlitons – Woodwind Quintet
The Suite of movements extracted by Tchaikovsky from his ballet music for The Nutcracker was an immediate success. As prevalent as the complete ballet The Nutcracker is today, it is hard to imagine that it took years, and perhaps the staging of George Balanchine, for it to become popular.
Some of the most memorable pieces from the suite are the Characteristic Dances. In Act II of the ballet, these movements are employed to introduce different residents of the “Land of Sweets.” Tchaikovsky’s orchestration makes adept use of wind instrument color. This translates very effectively in arrangements for the woodwind quintet.
In this arrangement of Dance of the Toy Flutes (Danse des Mirlitons), flute, oboe and clarinet offer the famous “reed pipe” choir while horn and bassoon supply other elements of the orchestral texture.
Composer: Mark Questad
Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
Duration/# of Pages: ca. 2:35 / 17 pages, 8.5″ x 11″
Key: D -
Deck the Halls – Bassoon Quartet
A bright and refreshing setting of this traditional carol with contrapuntal lines adding a special touch.
Composer: Bill Reichenbach
Instrumentation: Bassoon Quartet
Duration/# of Pages: ca. 1:25 / 8 pages, 8.5″ x 11″
Key: Bb -
Deck the Halls – Clarinet Quartet
A bright and refreshing setting of this traditional carol with contrapuntal lines adding a special touch.
Composer: Bill Reichenbach
Instrumentation: 3 Clarinets & 1 Bass Clarinet
Duration/# of Pages: ca. 1:25 / 8 pages, 8.5″ x 11″
Key: Eb (Concert)