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    Angels We Have Heard On High – Trombone Quartet

    A spirited rendition of a Christmas favorite, skillfully arranged to highlight the natural counterpoint of this French carol.

    Composer: Bill Reichenbach
    Instrumentation: 3 Tenor Trombones and 1 Bass Trombone
    Duration/# of Pages: ca. 1:55 / 8 pages, 8.5″ x 11″
    Key: C

    Score & Parts $15.00
    MP3 * From the CD: Carols From The Bells – Trombones-L.A. $0.99
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    Angels We Have Heard On High – Tuba Choir

    The angels are smiling with this upbeat and energetic chart! Here is a contemporary setting of a favorite carol that will be the highlight of every tuba Christmas concert!

    There is a terrific recording of this piece now available. The CD is titled ‘Tis the Season TUBA Jolly! presented by Jim Self with the Hollywood Tuba 12.

    12_Tuba_ CD

    (Excerpt used with permission.)

    Composer: Bill Reichenbach
    Instrumentation: Tuba Choir – 6 Euphoniums & 6 Tubas
    Duration/# of Pages: ca. 4:15 / 64 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $25.00
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    Antiphon – Brass Quintet

    Anton Bruckner (1824 – 1896) was an Austrian composer known for his monumental symphonies, masses and motets. He was a simple man with an intense devotion to the spiritual life.

    This motet was written in 1878 and scored for solo tenor, choir and organ. The complete title is Antiphon – Tota pulchra es Maria. It’s not known when he re-scored it for SATB. Both versions feature a dialog between a soloist and the full quintet. His use of sudden contrasts of timbre and dynamics as well as some unexpected harmonic choices make this piece a welcome addition to the repertoire.

    Composer: Anne McGinty
    Instrumentation: 2 Bb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 4:50 / 11 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $21.00
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    Arabian Dance – Woodwind Quintet

    The Suite of movements extracted by Tchaikovsky from his ballet music for The Nutcracker was an immediate success. As prevalent as the complete ballet The Nutcracker is today, it is hard to imagine that it took years, and perhaps the staging of George Balanchine, for it to become popular.

    Some of the most memorable pieces from the suite are the Characteristic Dances. In Act II of the ballet, these movements are employed to introduce different residents of the “Land of Sweets.”  Tchaikovsky’s orchestration makes adept use of wind instrument color. This translates very effectively in arrangements for the woodwind quintet.

    The Arabian Dance (Danse arabe) makes use of hypnotic ostinato and reed sounds to create a wonderful piece of Orientalia. In the ballet, this music introduces coffee.

    An optional Tambourine part is included; however, it is not notated in the score.

    Composer: Mark Questad
    Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
    Duration/# of Pages: ca. 3:00 / 18 pages, 8.5″ x 11″
    Key: Gm

    Composer: Mark Questad
    Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
    Duration/# of Pages: ca. 3:00 / 17 pages, 8.5″ x 11″
    Key: Gm

    Score & Parts $15.00