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    It Came Upon A Midnight Clear – Flute Choir

    This familiar carol in its new, lush and richly scored contemporary setting will add stylistic contrast to your Christmas program. It’s also the perfect chart for Christmas Eve services.

    [note: the recording begins with a trio of trombone, bass and drums and the excerpt begins where the full choir enters]

    Composer: Bill Reichenbach
    Instrumentation: 6 C Flutes, Alto Flute & Bass Flute
    Duration/# of Pages: ca. 2:35 / 20 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $25.00
    MP3 * From the CD: More Carols From The Bells – Trombones-L.A. $0.99
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    Jesu, Jesu, Baby Dear – Bassoon Quartet

    This traditional Czech carol, also known as the rocking carol, is sung as a lullaby to baby Jesus while rocking in the manger as if it were a more modern cradle. Cradle rocking, a custom which began in German churches in medieval times, eventually spread from there all across Europe. The carol was popularized by a recording by Julie Andrews.

    Composer: Bill Reichenbach
    Instrumentation: Bassoon Quartet
    Duration/# of Pages: ca. 2:20 / 8 pages, 8.5″ x 11″
    Key: C- Ab (no key sig)

    Score & Parts $15.00
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    Jesu, Jesu, Baby Dear – Clarinet Quartet

    This traditional Czech carol, also known as the rocking carol, is sung as a lullaby to baby Jesus while rocking in the manger as if it were a more modern cradle. Cradle rocking, a custom which began in German churches in medieval times, eventually spread from there all across Europe. The carol was popularized by a recording by Julie Andrews.

    Composer: Bill Reichenbach
    Instrumentation: 3 Bb Clarinets & 1 Bb Bass Clarinet
    Duration/# of Pages: ca. 2:20 / 8 pages, 8.5″ x 11″
    Key: F – Db (no key sig)

    Score & Parts $15.00
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    Jesu, Jesu, Baby Dear – Flute Quartet

    This traditional Czech carol, also known as the rocking carol, is sung as a lullaby to baby Jesus while rocking in the manger as if it were a more modern cradle. Cradle rocking, a custom which began in German churches in medieval times, eventually spread from there all across Europe. The carol was popularized by a recording by Julie Andrews.

    The flute quartets can easily be expanded to flute choir by adding both alto and bass flutes. The Alto Flute part is included and the bass plays Flute 4.

    Composer: Bill Reichenbach
    Instrumentation: Flute Quartet
    Duration/# of Pages: ca. 2:20 / 9 pages, 8.5″ x 11″
    Key: G – Eb (no key sig)

    Score & Parts $15.00