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Christmas Fanfare, A – Flute Choir
Start your Christmas concert with this dramatic fanfare. It could be titled Name Those Carols and it colorfully segues from one to another. This brilliant, shimmering piece will definitely put your audience in the holiday spirit.
The Ohio State University Flute Troupe, directed by Katherine Borst Jones, recorded this piece. The full version is available for your listening pleasure under Hear an Excerpt.
Composer: Ryan Nowlin
Instrumentation: 4 C Flutes, Alto Flute & Bass Flute
Duration/# of Pages: ca. 1:30 / 19 pages, 8.5″ x 11″
Key: N/A -
Coventry Carol – Flute Choir
Coventry Carol is an English carol written in the 16th century. The earliest known manuscript was from 1534. In those times there were local pageants, called “mystery plays,” in which the common folk performed dramatized stories from the Bible. This carol was part of the Pageant of the Shearmen and Taylors held in Coventry. It is the emotional climax of this long play and its plaintive melody is most effective.
This poignant carol is known for the use of the Picardy third, which adds a major chord at the cadence in a piece that is minor or modal.
Composer: Anne McGinty
Instrumentation: 4 C Flutes, Alto Flute & Bass Flute
Duration/# of Pages: ca. 2:10 / 12 pages, 8.5″ x 11″
Key: A min -
Coventry Carol – Flute Quartet
Coventry Carol is an English carol written in the 16th century. In those times there were local pageants, called “mystery plays,” in which the common folk performed dramatized stories from the Bible. This carol was part of the pageant held in Coventry.
This poignant carol is known for the use of the Picardy third, the use of the major chord at the cadence in a piece that is minor or modal.
The flute quartets can easily be expanded to flute choir by adding both alto and bass flutes. The Alto Flute part is included and the bass plays Flute 4.
Composer: Bill Reichenbach
Instrumentation: Flute Quartet
Duration/# of Pages: ca. 3:00 / 11 pages, 8.5″ x 11″
Key: N/A -
Coventry Carol – Woodwind Quintet
This carol was part of the mystery pageant plays in Coventry England appearing as early as the 16th century. This arrangement employs the Baroque form of continuous variations over a repeating bass line (or ground).
Composer: Mark Questad
Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
Duration/# of Pages: ca. 4:10 / 21 pages, 8.5″ x 11″
Key: Dm