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    A Minuit fut fait un Réveil – Woodwind Quintet

    The 17th century French carol “At Midnight there sounded an Alarm” recounts the biblical Christmas story in strophic form. The verses offer the opportunity to feature each instrument of the woodwind quintet in a series of variations.

    Composer: Mark Questad
    Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
    Duration/# of Pages: ca. 3:30 / 20 pages, 8.5″ x 11″
    Key: C-Eb-C

    Score & Parts $21.00
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    All Through The Night – Clarinet Quartet

    This Welsh carol (Hyd y Nos) features begins slowly in 4/4, segues to a spirited 3/4 with contemporary harmonies and syncopations and ends quietly in 4/4. A delightful change of pace!

    Composer: Bill Reichenbach
    Instrumentation: 3 Bb Clarinets & 1 Bb Bass Clarinet
    Duration/# of Pages: ca. 2:25 / 14 pages, 8.5″ x 11″
    Key: Eb-Ab-F

    Score & Parts $15.00
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    Angels We Have Heard On High – Clarinet Quartet

    A spirited rendition of a Christmas favorite, skillfully arranged to highlight the natural counterpoint of this French carol.

    Composer: Bill Reichenbach
    Instrumentation: 3 Bb Clarinets & 1 Bb Bass Clarinet
    Duration/# of Pages: ca. 1:55 / 8 pages, 8.5″ x 11″
    Key: Eb Concert

    Score & Parts $15.00
    MP3 * From the CD: Carols From The Bells – Trombones-L.A. $0.99
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    Arabian Dance – Woodwind Quintet

    The Suite of movements extracted by Tchaikovsky from his ballet music for The Nutcracker was an immediate success. As prevalent as the complete ballet The Nutcracker is today, it is hard to imagine that it took years, and perhaps the staging of George Balanchine, for it to become popular.

    Some of the most memorable pieces from the suite are the Characteristic Dances. In Act II of the ballet, these movements are employed to introduce different residents of the “Land of Sweets.”  Tchaikovsky’s orchestration makes adept use of wind instrument color. This translates very effectively in arrangements for the woodwind quintet.

    The Arabian Dance (Danse arabe) makes use of hypnotic ostinato and reed sounds to create a wonderful piece of Orientalia. In the ballet, this music introduces coffee.

    An optional Tambourine part is included; however, it is not notated in the score.

    Composer: Mark Questad
    Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
    Duration/# of Pages: ca. 3:00 / 18 pages, 8.5″ x 11″
    Key: Gm

    Composer: Mark Questad
    Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
    Duration/# of Pages: ca. 3:00 / 17 pages, 8.5″ x 11″
    Key: Gm

    Score & Parts $15.00