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  • Feels Like Far – Mixed Quintet

    Sometimes the intimacy and intensity of a shared experience is best expressed by music. The character of each of these five instruments is retained in this unique combination, yet they blend into a new and distinct sound with timbres that are seemingly remote from the traditional sounds associated with them. This music transcends the composer’s imagination and you, both the performer and the audience, have the opportunity to hear your own personal journey that feels like far.

    The sample score and sample mp3 include all three movements.

    Total duration: ca. 11:15

    Movement 1 – Slow Dancing (4:38)

    Movement 2 – Memories Of A Lost Love (4:57)

    Movement 3 – Distractions (2:36)

    Performers:

    Patti Cloud – Flute
    Don Foster – Clarinet
    Marissa Benedict – Trumpet
    Jenny Kim – Horn
    Doug Tornquist – Tuba

    Composer: Anne McGinty

    Instrumentation: Flute, Bb Clarinet, Bb Trumpet, F Horn & Tuba

    Duration/# of Pages: ca. 11:15 / 58 pages, 8.5″ x 11″

    Key: N/A

    Score & Parts $40.00
    MP3 I. Slow Dancing *From the CD: Feels Like Far, Doug Tornquist & Friends $0.99
    MP3 II. Memories of a Lost Love *From the CD: Feels Like Far, Doug Tornquist & Friends $0.99
    MP3 III. Distractions *From the CD: Feels Like Far, Doug Tornquist & Friends $0.99
  • Fiat Lux (Let There Be Light) – Brass Quintet

    This sparkling arrangement is a celebration of the season, featuring a montage of your favorite carols including Joy To The World, Silent Night, The First Noel, Angels We Have Heard On High, O Come All Ye Faithful, O Little Town Of Bethlehem, Ye Watchers And Ye Holy Ones and more.

    This celebration of light will provide a shining moment at your Christmas concert!

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    Performers:

    Marissa Benedict, Larry Hall – Trumpet
    Andrew Pelletier – Horn
    Alex Iles – Trombone
    Doug Tornquist – Tuba

    Composer: Anne McGinty
    Instrumentation: 2 Bb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 6:15 / 24 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $25.00
    MP3 *From the CD: Fiat Lux, The Modern Brass of Los Angeles $0.99
  • First Noel, The – Brass Quartet

    This traditional carol is arranged with reverent simplicity and beautiful textures.

    Composer: Bill Reichenbach
    Instrumentation: 3 Bb Trumpets, 1 Trombone or Euphonium
    Duration/# of Pages: ca. 1:30 / 8 pages, 8.5″ x 11″
    Key: Db (Concert)

    Score & Parts $15.00
    MP3 * From the CD: Carols From The Bells, Trombones-L.A. $0.99
  • Fugue in E-Flat Major (J.S. Bach) – Brass Quintet

    “The triple fugue … is a symbol of the Trinity. The same theme recurs in three connected fugues, but each time with another personality. The first fugue is calm and majestic, with an absolutely uniform movement throughout; in the second the theme seems to be disguised, and is only occasionally recognisable in its true shape, as if to suggest the divine assumption of an earthly form; in the third, it is transformed into rushing semiquavers as if the Pentacostal wind were coming roaring from heaven.” ~ Albert Schweitzer

    The Fugue in E-Flat Major (BWV 552) has become known in English-speaking countries as the “St. Anne” because of the first theme's resemblance to the St. Anne hymn O God, Our Help in Ages Past, a hymn that would have been unknown to Bach. A fugue in three sections of 36 bars, 45 bars and 36 bars, with each section a separate fugue on a different theme, it has been called a triple fugue, although only the first theme is combined with the second and third themes; for that reason the second and third sections are sometimes referred to as double fugues. The number three is pervasive and has been understood to represent the Trinity. The description of Albert Schweitzer follows the nineteenth century tradition of associating the three sections with the three different parts of the Trinity. The number three, however, occurs many other times: in the number of flats of the key signature; in the number of sections; and in the number of bars in each section, each a multiple of 3 x 3. Each of the three themes of the fugues seems to grow from the previous ones.

    Written for organ, the ranges of each of the five fugal voices works well for the five brass instruments. Articulations and minimal dynamic suggestions have been added to honor the music, to make it sound as it would have sounded if the fugue were conceived for these modern instruments. The tuba can play m. 114 to the end down an octave to sound more like an organ pedal.

    This fugue is available for brass ensemble as well as brass quintet There are Eb trumpet parts included with the brass quintet version. The brass ensemble version has the traditional brass quintet parts, Eb trumpet parts, Eb horn, Euphonium TC and Eb tuba.

    The mp3 excerpt is from the Tower Brass Quintet CD, Road Trip. (Used with permission.)

    Composer: Anne McGinty
    Instrumentation: 2 Bb and/or Eb Trumpets, F Horn, Trombone & Tuba
    Duration/# of Pages: ca. 5:30 / 28 pages, 8.5″ x 11″
    Key: Eb

    Score & Parts $21.00