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Antiphon – Flute Choir
Anton Bruckner (1824 – 1896) was an Austrian composer known for his monumental symphonies, masses and motets. He was a simple man with an intense devotion to the spiritual life.
This motet was written in 1878 and scored for solo tenor, choir and organ. The complete title is Antiphon – Tota pulchra es Maria. It’s not known when he re-scored it for SATB. Both versions feature a dialog between a soloist and the full flute choir. His use of sudden contrasts of timbre and dynamics as well as some unexpected harmonic choices make this piece a welcome addition to the repertoire.
Composer: Anne McGinty
Instrumentation: 4 C Flutes, Alto Flute & Bass Flute
Duration/# of Pages: ca. 4:35 / 12 pages, 8.5″ x 11″
Key: N/A -
Ave Verum Corpus (Byrd) – Flute Choir
Ave verum corpus (Hail, true body) is based on a 14th century poem. This musical setting by William Byrd (1543 – 1623) is considered one of his finest works. A student of Thomas Tallis, William Byrd was the leading English composer of his time, a great master of the Renaissance along with Giovanni Palestrina and Orlando de Lassus, and left a huge legacy of printed music.
The false relation, the G sharp in the 1st and 2nd flutes and the G natural in the alto and bass flutes in measure 2 was Byrd's way of emphasizing the word verum.
Composer: Anne McGinty
Instrumentation: 4 C Flutes, Alto Flute & Bass Flute
Duration/# of Pages: ca. 3:20 / 12 pages, 8.5″ x 11″
Key: N/A -
Bach: Little Fugue in G Minor – Flute Choir
The well known Little Fugue in G Minor is now scored for the full flute orchestra: Piccolo, four C Flutes, Alto Flute in an appropriate range and adding depth to Flute 4, with Bass Flute and Contrabass Flute on the original organ peddle. A welcome addition to the flute choir repertoire!
Composer: Anne McGinty
Instrumentation: Piccolo, 4 C Flutes, Alto Flute, Bass & Contrabass Flutes
Duration/# of Pages: ca. 3:30 / 25 pages, 8.5″ x 11″
Key: G Minor -
Changes – Flute Choir
M.F.K. Fisher, in her book The Gastronomical Me, wrote poignant stories of her life and career based on memorable meals and her experiences with food. When asked by Julia Child why she chose food and hunger for these stories, Mrs. Fisher replied, “When I write about hunger, I am really writing about love and the hunger for it, and warmth, and the richness and fine reality of a hunger satisfied.”
Changes tries to capture that warmth and richness and reality musically. The titles of the three movements are chapter titles from this book, with the music reflecting the many changes that are an inevitable part of living.
The first two movements are both slow and reflective. In the first movement each instrument has something to say and shares it with the others, with the resulting interchanges both bitter and sweet. The second movement, dreamlike as suggested by the title, recalls big dreams as well as little dreams—success, frustration and finally satisfaction. The final movement is playful and at times humorous, with a flurry of notes and amusing syncopations, a drastic change from the first two movements. The ending, with tongue in cheek and consideration of the meter used, is indeed a feminine ending in the classical sense as it does end on the second beat.
The sample score shows the first page of each of the three movements. At this time there is no recording available.
Composer: Anne McGinty
Instrumentation: Piccolo, 4 C Flutes, Alto Flute & Bass Flute
Duration/# of Pages: ca. 9:30 / 48 pages, 8.5″ x 11″
Key: N/A