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  • Bach: Little Fugue in G Minor – Flute Choir

    The well known Little Fugue in G Minor is now scored for the full flute orchestra: Piccolo, four C Flutes, Alto Flute in an appropriate range and adding depth to Flute 4, with Bass Flute and Contrabass Flute on the original organ peddle. A welcome addition to the flute choir repertoire!

    Composer: Anne McGinty
    Instrumentation: Piccolo, 4 C Flutes, Alto Flute, Bass & Contrabass Flutes
    Duration/# of Pages: ca. 3:30 / 25 pages, 8.5″ x 11″
    Key: G Minor

    Score & Parts $21.00
  • I Love, Alas – Flute Choir

    George Kirbye (c. 1565 – 1634) was an English composer of the late Tudor period and early Jacobean era. He was one of the members of the English Madrigal School, but also composed sacred music.

    Little is known of the details of his life. He probably made the acquaintance of John Wilbye, a much more famous madrigalist, who lived and worked only a few miles away, and whose style he sometimes approaches.

    Kirbye's most significant musical contributions were the psalm settings he wrote for East's psalter in 1592, the madrigals he wrote for the Triumphs of Oriana (1601), the famous collection dedicated to Elizabeth I, and an independent set of madrigals published in 1597. This piece, one of six madrigals for six voices, shows careful attention to the text setting.

    The lyrics are:

    I love, alas, yet am I not beloved;

    My suits are all rejected,

    And all my looks suspected.

    Experience now too late hath proved,

    That 'twas in vain that erst I loved.

    This madrigal is written in an imitative style and as the different voices enter, the accompanying voices should get somewhat softer so all entrances can be easily heard. This is notated using dynamics and decrescendos at the beginning of the piece; however, the concept applies to all imitative entrances. The ranges are not extreme and this would be a good choice for young players as well as the experienced flute choir.

    There is no recording available at this time.

    Composer: Anne McGinty
    Instrumentation: 5 C Flutes & Alto Flute
    Duration/# of Pages: ca. 2:00 / 15 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $15.00
  • Adventus: Emmanuel – Flute Choir

    Based on a plainsong dating back to the 15th century which we are familiar with as O Come, O Come Emmanuel, this arrangement incorporates the free form of the original plainsong and adds colorful harmonies and counter-melodies, making it a thoughtful and elegant addition to the season of expectation and celebration.

    Composer: Anne McGinty
    Instrumentation: 4 C Flutes, Alto Flute & Bass Flute
    Duration/# of Pages: ca. 4:15 / 13 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $25.00
  • Wexford Carol, The – Flute Choir

    This carol dates back to the 12th century and is one of the oldest Irish
    carols, originating in County Wexford. The Celtic influence is evident
    in this sophisticated and superbly crafted arrangement.

    The Ohio State University Flute Troupe, directed by Katherine Borst Jones, recorded this piece. The full version is available for your listening pleasure under Hear an Excerpt.

    Composer: Anne McGinty
    Instrumentation: 4 C Flutes, 2 Alto Flutes,  Bass Flute &  Contrabass Flute
    Duration/# of Pages: ca. 3:30 / 13 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $25.00
    MP3 Free!