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    Angels We Have Heard On High – Flute Choir

    The angels are smiling with this upbeat and energetic chart! Here is a
    contemporary setting of a favorite carol that will be the highlight of
    every Christmas concert!

    The Ohio State University Flute Troupe, directed by Katherine Borst Jones, recorded this piece. The full version is available for your listening pleasure under Hear an Excerpt.

    Composer: Bill Reichenbach
    Instrumentation: 4 C Flutes, 2 Alto Flutes, Bass Flute & Contrabass Flute
    Duration/# of Pages: ca. 4:00 / 32 pages, 8.5″ x 11″
    Key: N/A

    Score & Parts $25.00
    MP3 Free!
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    Angels We Have Heard On High – Flute Quartet

    A spirited rendition of a Christmas favorite, skillfully arranged to highlight the natural counterpoint of this French carol.

    The flute quartets can easily be expanded to flute choir by adding both alto and bass flutes. The Alto Flute part is included and the bass plays Flute 4.

    Composer: Bill Reichenbach
    Instrumentation: Flute Quartet
    Duration/# of Pages: ca. 1:55 / 8 pages, 8.5″ x 11″
    Key: C

    Score & Parts $15.00
    MP3 * From the CD: Carols From The Bells – Trombones-L.A. $0.99
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    Angels We Have Heard On High – Saxophone Quartet

    A spirited rendition of a Christmas favorite, skillfully arranged to highlight the natural counterpoint of this French carol.

    Composer: Bill Reichenbach
    Instrumentation: 2 Alto, 1 Tenor & 1 Baritone
    Duration/# of Pages: ca. 1:55 / 8 pages, 8.5″ x 11″
    Key: Eb Concert

    Score & Parts $15.00
    MP3 * From the CD: Carols From The Bells, Trombones-L.A. $0.99
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    Arabian Dance – Woodwind Quintet

    The Suite of movements extracted by Tchaikovsky from his ballet music for The Nutcracker was an immediate success. As prevalent as the complete ballet The Nutcracker is today, it is hard to imagine that it took years, and perhaps the staging of George Balanchine, for it to become popular.

    Some of the most memorable pieces from the suite are the Characteristic Dances. In Act II of the ballet, these movements are employed to introduce different residents of the “Land of Sweets.”  Tchaikovsky’s orchestration makes adept use of wind instrument color. This translates very effectively in arrangements for the woodwind quintet.

    The Arabian Dance (Danse arabe) makes use of hypnotic ostinato and reed sounds to create a wonderful piece of Orientalia. In the ballet, this music introduces coffee.

    An optional Tambourine part is included; however, it is not notated in the score.

    Composer: Mark Questad
    Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
    Duration/# of Pages: ca. 3:00 / 18 pages, 8.5″ x 11″
    Key: Gm

    Composer: Mark Questad
    Instrumentation: Flute, Oboe, Clarinet, F Horn & Bassoon
    Duration/# of Pages: ca. 3:00 / 17 pages, 8.5″ x 11″
    Key: Gm

    Score & Parts $15.00